“I’ll Know I’m Home”: Behind the Song with Jeff Crews and Dianne Wilkinson

CrewsWilkinsonThe first time I listened to the Kingdom Heirs’ Redeeming the Time project in May, I was blown away by how many great, utempo quartet songs it contained.  But as I continued to listen to it (repeatedly), one song began to stand out over the others, and it wasn’t one of the convention numbers.  It is that song, “I’ll Know I’m Home,” that ended up as my favorite recorded song of the year in gospel music.  Its lyric describes Heaven so vividly, and in ways I’ve never heard in a gospel song.  The music is perfectly set to the lyric to lift the spirit of the listener to that heavenly place.  And Arthur Rice is the perfect match to deliver the song with power.

The lyric for “I’ll Know I’m Home” was composed by Jeff Crews, who most gospel music fans will remember for singing tenor with Paid in Full for many years.  Amazingly, it is the first song that Jeff has ever had cut!  It was set to music by Dianne Wilkinson, who is probably the most prolific and successful songwriter in southern gospel today, and who is the go-to writer for the Kingdom Heirs.  Both Jeff and Dianne graciously agreed to share with Southern Gospel Critique and its readers the story behind “I’ll Know I’m Home”.  It is a case, and perhaps an unexpected one, of a songwriting match made in — well…Heaven!

 


Jeff, how did the lyric come about?  Was there something specific that triggered it?

Jeff: During lunch breaks, I would go to this cool little park in my hometown and listen to a sermon on iTunes.   I really liked this Presbyterian preacher named Tim Keller.   He did two sermons, one on Heaven and one on Hell.   His basic premise for each of the sermons was that God put in us a desire to be fulfilled in many different ways – in friendship, in appreciation of art and beauty, in the sex of marriage where we join flesh with another person, in enjoyment of our occupation or trade.  He said that Heaven will be the perfect, final fulfillment of all those natural desires God gave us and we were unable to fully satisfy on earth.  In Heaven, we would BELONG and be understood like we never could fully do with mortal friendships, we would see and taste perfected beauty, we would become one flesh with a perfect God as his bride, and we would be put to work in the most fulfilling and satisfying way.  He also preached that Hell would be a place where those who had told God to leave them alone would get their request fulfilled and that the real torture of hell, much worse than the fire, would be the eternally unsatisfied desires God put in us that only He could fully satisfy.  This fascinated me – the fulfilling of taste, sight, hearing, feeling.  So I wrote about each of those – what we would see, taste, feel, etc.  However, this ultimate fulfilling that interested me only led me to know that seeing the God who created it would be what made Heaven Heaven.

 

As you said, the song talks about experiencing Heaven with all five senses.  How important was the use of imagery in the lyric?

Jeff:  I’m a high school literature teacher, so imagery is important to me.  I wanted people to see themselves stepping off a grand ship and sinking their toes into the sand of time, something that on earth had defined and ruled EVERYTHING, but in Heaven was just something to step on.  I wanted to know what we would smell.  When I sang with Paid In Full, we worked lots of Gaither dates with the Happy Goodmans, who I loved.  Vestal had her own perfume custom-made and she was the best smelling human I’d ever met.  I wondered what heaven would smell like, and again, being a lit. teacher, the smell coming from the “fruits of our labor” FINALLY in harvest would be the sweetest smell I could imagine.

 

What led you to send the song to Mrs. Dianne?

Jeff:  I met Di when I was fifteen years old at the very first concert I ever sang with Paid In Full.  She was there to hear Greater Vision, also on the program, and we struck up a grand conversation about the history and love of SG music.  Years later, we reconnected when Paid In Full had achieved some level of success, and I reminded her of who I was, and she remembered it as well as I did.  She sent me a song called “Work of Grace” to record when I was with PIF.  It was a number one song, but we were not well known enough to achieve that.  She gave it to me anyway, and said she wanted me to sing it.  We’ve been GOOD friends for a long time.  I write poetry, and this was the first one that I KNEW would make a great song.  I’ve written music to other song lyrics I’ve written, but I couldn’t get a tune for “I’ll Know I’m Home.” The opportunity to write with the legendary Di Wilkinson, the knowledge that she would know EXACTLY what to do melodically, and the understanding that she had the connections to recording quartets to get it heard, made working with Di the only option.  She is a Southern Gospel treasure.

 

Mrs. Dianne, tell us how the song came about on your end.

Dianne: Jeff sent me this lyric one day.  When I read his words, I immediately thought he had made me experience Heaven to some extent already…what I would see, hear, smell, taste, and feel.  I LOVED what he sent!  And on the first read, I began to hear melody.  I knew from the lyric content, this song had to be a shouter…and would only be fully understood by a BORN AGAIN CHILD OF GOD.  When I had finished the music, and Jeff and I had agreed the song was finished, I went to do a work tape to send to Daywind for demo.  I contacted Tim Parton and Terry Franklin (they do 99% of my demos) to be sure it could be done.  Off it went…and when the demo came in, I knew we had something special.

 

Once finished, did you have Arthur Rice and the Kingdom Heirs in mind right away?

Dianne: Yes, they were the group I thought of first…for several reasons.  They were deep into looking for songs for this current project, and they are always looking for songs that will move their audiences…and they love Heaven songs.  And yes, I knew they would sing it to PERFECTION, and that Arthur’s production of it would be flawless.  I sent it to Arthur Rice, and he put it on hold at once.  He had more songs he considered great to choose from this time than any other, he told me.  But he said to me, “Di…this heaven song, “I’ll Know I’m Home”…is going to be the song that touches folks most on this project.”

 

How much of the arrangement the Kingdom Heirs used came from you?  How much came from Terry Franklin?

Dianne: As always, the Kingdom Heirs recorded it VERY faithful to the demo.  The arrangement is all mine; I had the idea then of having that last chorus be done a capella.  The last chorus where the tenor goes high…that was from Terry; he just instinctively knows what to do in such places in the song.  And Arthur went on to give the bass a line of it as well.  That is the peak moment in the song!

 

Jeff, what were your thoughts when you heard what she had come up with, and then when you heard the finished product from the Kingdom Heirs?

Jeff: I sent Di and Arthur an email that simply said, “WOOOOOOOOOOOOOOOOOOOOOOOOOO HOOOOOOOOOOOOOOOOOOOOOOO!!!”  When I heard it, I knew why I had sent it to Dianne.  It was great, and Arthur absolutely sang the fire out of it.  Not bad for a first cut!

 

Anything else you’d like to share about the song?

Jeff: There was initially another verse that talked about the marriage supper where we’d “Trade daily manna for the fruit of the vine, and the bridegroom Himself served the feast and the wine.”  However, for time reasons, it was omitted.  The Kingdom Heirs cut was so great, that I didn’t even realize they had omitted the third verse.  Dianne had to tell me.

Dianne: When I sat down to my piano to do the work tape for this song, it was difficult for me to get through.  The Holy Spirit began to move in my soul, and my thoughts turned to the Heaven I was singing about, and the ONLY REASON I’d get to go there, and the tears kept flowing.  Steve and Arthur tell me that when this song is sung at Dollywood, folks get in the aisles of that theater and go up and down them, shouting…especially those silver-haired preachers.  They close most of their shows with it.  From my perspective as a writer, I am eternally thankful that Jeff Crews entrusted his God-inspired lyrics to me…and HONORED that I was allowed to have a part in this song.  If a person isn’t saved, they won’t “get it”.  But OH, if he IS…he will have the same reaction I did!


“I’ll Know I’m Home,” as well as the rest of the stellar Redeeming the Time project, can be purchased at Crossroads, or on the Kingdom Heirs website, or in digital music outlets.  You won’t regret it!  I’m so thankful to Jeff and Dianne for entrusting me with the story behind this great song.  I hope you’ll share your thoughts, and your gratitude to them, in the comments.

2013 in Review: Top Songs

As the year 2013 winds down, it’s once again time to look back at the year in southern gospel music.  As is the case every year, I’ve listened to some songs that had me reaching for the “skip” button, but as always, I enjoyed the vast majority of the music that found its way into my collection this year.  There are still great Christians singing great songs by great writers, and for that I am grateful.

The songs listed below are my personal favorite recorded songs released in 2013.  I’ll stress that these are personal favorites, not necessarily predictions on what songs will be the biggest hits.  But there may be worse indicators of that: in 2011, two my top six songs went to #1 on the Singing News chart, and last year, three of my top four ended up being chart-toppers.  There is already one #1 hit in my top 5 in 2013, and I strongly believe there will be one or two more.

The honor for top song of the year goes to “I’ll Know I’m Home,” a Jeff Crews/Dianne Wilkinson composition recorded by the Kingdom Heirs.  I believe this is going to be a huge hit for the quartet; I can’t wait to see it take off like a rocket.  Stay tuned this week, because I’ve got something very special in the works dealing with this song, that you don’t want to miss!  The runner up is another song I’m hoping will be one of 2014’s biggest radio songs, Rodney Griffin and Greater Vision’s “Preacher, Tell Me Like It Is”.

Without further ado, here is my list!  I’d love to hear your thoughts about your favorite songs of the year as well!

 

  1. “I’ll Know I’m Home,” Kingdom Heirs, Redeeming the Time (Jeff Crews/Dianne Wilkinson)
  2. “Preacher, Tell Me Like It Is,” Greater Vision, For All He’s Done (Rodney Griffin)
  3. “Just Beyond the Sunset,” Kingdom Heirs, Redeeming the Time (Dianne Wilkinson)
  4. “The Joys of Heaven,” Kingdom Heirs, Redeeming the Time (Dianne Wilkinson)
  5. “We’ll Go Down Standing Up,” Barry Rowland & Deliverance, He’s Alive (Kyla Rowland)
  6. “O Worship the King,” Collingsworth Family, Hymns From Home (Robert Grant/Johann Haydn)
  7. “Covered by the Blood,” Collingsworth Family, Hymns From Home (Nellie Edwards/Ran Story)
  8. “This Is Mercy,” Greater Vision, For All He’s Done (Rodney Griffin/Natalie Harp)
  9. “Death Had to Let Him Go,” Barry Rowland & Deliverance, He’s Alive (Kyla Rowland)
  10. “Redeeming the Time,” Kingdom Heirs, Redeeming the Time (Rebecca Peck)
  11. “Burdens Are Lifted at Calvary,” Colllingsworth Family, Hymns From Home (John M. Moore)
  12. “I’ve Come Here to Tell You That the Lord Is Good,” Collingsworth Family, The Lord Is Good (Kirk Talley/Daryl Williams)
  13. “Isn’t That Why He Came,” Old Paths, These Truths (Rachel McCutcheon/Karen Gillespie)
  14. “Show a Little Bit of Love and Kindness,” Collingsworth Family, The Lord Is Good (John W. Peterson)
  15. “Seeking for Me,” Greater Vision, For All He’s Done (Lanny Wolfe)
  16. “It Matters to the Master,” Collingsworth Family, The Lord Is Good (Rachel McCutcheon)
  17. “God Said I Love You,” Old Paths, These Truths (Craig Edwards)
  18. “Yesterday,” Cathedrals Family Reunion, Cathedrals Family Reunion (George Younce)
  19. “Heaven Will Be Mine Someday,” Triumphant Quartet, The Greatest Story (Dianne Wilkinson/Scott Inman)
  20. “What a Wonderful Time (To Be a Christian),” Barry Rowland & Deliverance, He’s Alive (Kyla Rowland)
  21. “We Will Serve the Lord,” Collingsworth Family, The Lord Is Good (Joel Lindsey/Wayne Haun/Jeff Bumgardner)
  22. “Looking for the Grace,” Greater Vision, For All He’s Done (Rodney Griffin)
  23. “Scars in the Hands of Jesus,” Ernie Haase & Signature Sound, Glorious Day (Marijohn Wilkin)
  24. “Living in Love With the Lord,” Collingsworth Family, The Lord Is Good (Rachel McCutcheon)
  25. “The Borrowed Tomb,” Kingdom Heirs, Redeeming the Time (Dianne Wilkinson/Rebecca Peck)
  26. “If It Were Not for Grace,” Old Paths, These Truths (Christopher R. Clayton)
  27. “This Is Just What Heaven Means to Me,” Sisters, Classics Collection (Jimmie Davis)
  28. “I Could Never Outlove the Lord,” Collingsworth Family, The Lord Is Good (Bill Gaither/Gloria Gaither)
  29. “For All He’s Done,” Greater Vision, For All He’s Done (Chris Allman)
  30. “Long Live the King,” Old Paths, These Truths (Dianne Wilkinson/Chris Binion)
  31. “Two Coats,” Ernie Haase & Signature Sound, Glorious Day (Ralph Stanley)
  32. “My Wonderful Lord,” Collingsworth Family, Hymns From Home (Haldor Lillenas)
  33. “I Thank You,” Kingdom Heirs, Redeeming the Time (Dianne Wilkinson)
  34. “Love Them to Jesus,” Old Paths, These Truths (Rodney Birch)
  35. “He’s Alive,” Barry Rowland & Deliverance, He’s Alive (Harvey Gene Smith)
  36. “Sermon on the Mount,” Kingdom Heirs, Redeeming the Time (Dianne WIlkinson/Rebecca Peck)
  37. “Because He Loved Me,” Triumphant Quartet, The Greatest Story (Morris Stancil)
  38. “Expect the Unexpected,” Kingdom Heirs, Redeeming the Time (Rebecca Peck/Logan Peck)
  39. “You Can Still Find Forgiveness,” Inspirations, No Two Ways About It (Jim Brady)
  40. “Nobody Like Jesus,” Wilburn & Wilburn, Here Comes Sunday (Joseph Habedank)

Double Album Review: Redeeming the Time (Kingdom Heirs) / These Truths (Old Paths)

SL31292Redeeming the Time is the Kingdom Heirs’ second mainline recording of new songs with their current vocal lineup, which is one of the finest in gospel music.  Through the years, Dollywood’s resident gospel group has stayed true to their “neo-traditional” quartet style to great success, especially on radio, where they have churned out hit after hit in the last several years.  This latest album is a tremendous example of this style, and is an absolute must-have for fans of quartet singing.

On most modern quartet recordings, you may find one convention song, and it is often treated as a novelty.  On Redeeming the Time, there are four, count ‘em four, and they are among my favorite songs recorded by any group this year.  Dianne Wilkinson’s “Just Beyond the Sunset” has already gone #1 on the Singing News chart, and is quite simply one of the best convention-style songs recorded in the last decade.  Of a similar style, and perhaps just as good, is another Wilkinson burner, “The Joys of Heaven”.  Hearing the Kingdom Heirs weave through the rousing choruses of these songs is one of the highlights of my year of listening to gospel music.  The title track also has a call-and-response format, but doesn’t move as fast.  Musically, it reminds me of one of my favorite red-back songs, “Living by Faith,” and I absolutely love the Bible-based lyric.  Not to be overlooked is the album opener, “Sermon on the Mount,” which is a delightfully relaxing quartet song, perfectly suited for a concert opener.

One of my mild criticisms of the Kingdom Heirs’ last mainline recording, We Will Stand Our Ground, was that Jerry Martin didn’t get any strong features.  That is definitely remedied this time around.  “I Thank You” is a slower-paced song of thanksgiving that could be a signature song for Martin.  In contrast, he is cut loose on the rocking “Just Preach It”.  Steve French came away empty-handed in features on the previous album, but returns to the spotlight on Redeeming the Time with the classic “Wasted Years,” which is an excellent fit for his voice.

The album contains one formulaic power ballad, with a resurrection theme.  “The Borrowed Tomb” packs a lot of punch and is sure to have Dollywood audiences on their feet most of the time.  But the crown jewel of Redeeming the Time is “I’ll Know I’m Home,” penned by former Paid in Full tenor Jeff Crews and Wilkinson.  It is a majestic mid-tempo masterpiece, led by the incomparable Arthur Rice.  This heaven-themed anthem is worth the price of the entire CD.

If it seems like I’m fawning, maybe I am.  I am an unapologetic fan of great, straight-up quartet singing, and Redeeming the Time has it, in spades.  All of the new songs were written or co-written by Dianne Wilkinson and Rebecca Peck, and they deserve a lot of credit for the success of the recording.  The Kingdom Heirs are one of my all-time favorite groups, so this is saying a lot: Redeeming the Time is my favorite CD they have ever recorded.

Album rating: 5 stars

 Song list:

  1. Sermon on the Mount (Dianne Wilkinson/Rebecca Peck)
  2. Just Preach It (Wilkinson/Peck)
  3. How We Gonna Live in Babylon (Wilkinson/Peck)
  4. Redeeming the Time (Peck)
  5. Wasted Years (Wally Varner)
  6. Just Beyond the Sunset (Wilkinson)
  7. I’ll Know I’m Home (Wilkinson/Jeff Crews)
  8. The Joys of Heaven (Wilkinson)
  9. I Thank You (Wilkinson)
  10. Expect the Unexpected (Rebecca Peck/Logan Peck)
  11. The Borrowed Tomb (Wilkinson/Peck)

 


Old Paths- These TruthsThe Old Paths are one my favorite up-and-coming groups in gospel music, and they just keep getting better.  Their latest recording, These Truths, really ups the ante on their previous recordings in terms of arrangements and performance, and it is their strongest collection of songs to date.

Anyone who has read more than a couple of my blog posts knows that I tend to find favorites most often among fast-paced quartet songs.  (If you had any doubts, re-read the album review found immediately above this one!)  These Truths is a rare album for which I generally prefer the slower songs to the faster ones.  The two best are both tender songs led by tenor Jeremy Peace.  “Isn’t That Why He Came” goes different places musically than any song I can remember hearing, and it is absolutely beautiful.  The Craig Edwards-penned “God Said I Love You” is an outstanding vocal performance by Peace on a poignant lyric built around imagery of the Crucifixion.  Another one of my favorite tracks is another relatively subdued song, this time led by baritone Doug Roark.  “If It Were Not for Grace” may remind some people a little too much of Legacy Five’s “That’s What Grace Is For,” but I love that Scott Howard feature, and I mean the comparison as a great compliment to the song.

The Old Paths garnered two #1 hits from the pen of Rodney Birch on their last recording, Right Now, and they successfully return to that source with the catchy “Love Them to Jesus”.  The other four uptempo songs are in a more hard-driving quartet style.  The Old Paths are very good at this style, one of the best groups around, but these four songs tend to run together for me.  My favorite among them is the Hinsons cover, “God’s Gonna Do the Same”.

The album closes with a Dianne Wilkinson/Chris Binion power ballad, “Long Live the King”.  It is the most powerful song the quartet has recorded, and is a showcase for the outstanding lead voice of Tim Rackley.  No doubt this one will earn standing ovations across the country.

While a couple of the fast songs are “misses” for me, These Truths is another upward step for the Old Paths.  I believe this quartet is on a steady path toward the very top of southern gospel, and I eagerly await the next step in that journey.

 Album rating: 4.5 stars

Song list:

  1. We Are Those Children (Jeff Gibson)
  2. Isn’t That Why He Came (Rachel McCutcheon/Karen Gillespie)
  3. Enough and Then Some (Christie Capps)
  4. We Hold These Truths (Steve Marshall/Phil Mehrens)
  5. Love Them to Jesus (Rodney Birch)
  6. If It Were Not for Grace (Christopher R. Clayton)
  7. I’m Just Passing Through (Chris Binion/Marshall/John Darin Rowsey)
  8. God Said I Love You (Craig Edwards)
  9. God’s Gonna Do the Same (Ronny Hinson)
  10. Long Live the King (Dianne Wilkinson/Binion)

Double Album Review: The Lord Is Good / Hymns From Home (Collingsworth Family)

The Collingsworth Family have been on a steady climb in the gospel music field for several years, a climb that has culminated in them winning Favorite Mixed Group the last two years at both the Singing News Fan Awards and the NQC Music Awards.  Amazingly, each of the last four winners of the Favorite Young Artist Singing News Fan Award has been a different Collingsworth sibling, taking home the award in perfect order of birth: Brooklyn in 2010, Courtney in 2011, Phillip in 2012, and Olivia in 2013.  All of the Collingsworth “children” are now at or near vocal maturity, coinciding with the peak in popularity and impact the family has attained.  Each of the previous Collingsworth Family recordings have traced their musical development, and this year’s double-release of The Lord Is Good and Hymns From Home showcases them fully developed as one of the  southern gospel’s most outstanding groups.

 


LordGoodThe Lord Is Good is the Collingsworth Family’s second mainline gospel release for Stowtown Records.  Like their previous recordings, it is a showcase of tight family harmonies and impressive arrangements with an inspirational lean.  In southern gospel, only the Gaither Vocal Band rivals the sonic quality that the Collingsworths consistently produce, and that is no different on this album.

For me, Collingsworth recordings have always been highlighted by soaring power ballads and exquisite softer ballads, with the uptempo songs often taking a back seat.  The Lord Is Good is their first album for which I can say that the faster songs were more enjoyable than the slower ones.  The album opener, a cover of Kirk Talley’s “I’ve Come Here to Tell You That the Lord Is Good,” is one of my favorites, with a really fun arrangement and orchestration from Wayne Haun.  Songs don’t get any more infectious than “Show a Little Bit of Love and Kindness,” a brilliant pull from the gospel music archives.  It has the potential to be one of the family’s signature songs.  “We Will Serve the Lord” is especially appropriate lyrically for a family group, and is another fun groove.  “Living in Love With the Lord” is a light jazzy tune that really takes off towards the end.

Of the slower songs, my favorite is 15 year-old Olivia’s best feature yet, “It Matters to the Master”.  She has the purest tone of any of the Collingsworths, and it sparkles on this beautifully crafted ballad.  It’s hard to go wrong when Collingsworth voices meet a Gaither song, and they combine for another great success with “I Could Never Outlove the Lord”.  The only weakness for The Lord is Good is that it doesn’t have a “home run” power ballad, like “Blessed Be the Lamb,” “Fear Not Tomorrow,” and “Resurrection Morn” from their preceding albums.  The closest attempt is “How Great His Love,” which, while very good, doesn’t quite measure up to those others.  Indeed, I’m inclined to agree with Daniel Mount that the bridge of Donnie Sumner’s “Love Found a Pardon” is so good, it makes me wish they had just recorded that whole song.

While The Lord Is Good doesn’t break new ground for the Collingsworth Family, it is worthy of the exceedingly high expectations the family has established for themselves.

Album Rating: 4.5 stars

Song List:

  1. I’ve Come Here to Tell You That the Lord Is Good (Kirk Talley/Daryl Williams)
  2. It’s Not Too Late to Pray (Dianne Wilkinson/Rebecca Peck)
  3. Show a Little Bit of Love and Kindness (John W. Peterson)
  4. If He Hung the Moon (Talley)
  5. We Will Serve the Lord (Wayne Haun/Joel Lindsey/Jeff Bumgardner)
  6. There Is Healing in His Hands (Linda Allred)
  7. My Debt Was Paid (Rachel McCutcheon/Karen Gillespie)
  8. God Is Moving (Talley)
  9. Living in Love With the Lord (McCutcheon)
  10. It Matters to the Master (McCutcheon)
  11. How Great His Love (Lindsey/Bumgardner)
  12. I Could Never Outlove the Lord (Bill & Gloria Gaither)

 


HymnsHomeAlongside the mainline release of mostly new songs, Hymns From Home offers a contrast of classic songs and relatively simplified instrumentation.  Recorded live from the “Collingsworth Homeplace,” it contains eighteen hymns of various styles and levels of familiarity, put in the capable care of the Collingsworth voices and instruments.

If The Lord Is Good doesn’t contain any jaw-dropping moments, Hymns From Home makes up for it with at least a couple.  Months ago, the family posted a video of them rehearsing “Burdens Are Lifted at Calvary,” setting expectations high for the upcoming recording.  The rendition does not disappoint, with some of the most exquisite harmonies you will hear, accompanied only by Kim on piano.  And that’s not even my favorite song on the album.  For “O Worship the King,” Brooklyn and Courtney join Kim vocally and instrumentally, with their violins, for an absolutely breathtaking performance.  I nearly gave it a standing ovation the first time I listened to it, which is saying something considering I was driving at the time.

The recording’s other main highlight for me, and biggest surprise, is the only song I had never heard of before listening to the project.  I love uptempo hymns, and “Covered by the Blood” is a pure delight.  I believe it’s Brooklyn, Courtney, and Phillip stepping out and taking the last verse to a rousing finish.

Speaking of Phillip, it’s worth mentioning that he is featured heavily, both on this album and on The Lord Is Good.  The Collingsworth release from two years ago, Part of the Family, was a breakout album for him individually.  Fast forward to the end of 2013, and he is undoubtedly an anchor of their sound, and one of the most impressive young vocalists in gospel music.  On “The Love of God,” alongside his sisters, and on “The Lord’s Prayer,” where he flies totally solo, 19 year-old Phillip shines.

Hymns From Home may have a couple too many songs the family has already recorded, with the same arrangement (by my count, four of them), and I would personally be OK with one or two fewer instrumentals (there are three).  But from beginning to end, it is a beautiful showcase of some of the greatest songs ever written, performed by one of the few groups who can do them justice.

Album rating: 4.5 stars

Song List:

  1. Brethren, We Have Met to Worship (George Atkins/William Moore)
  2. Holy, Holy, Holy (Reginald Heber/John Dykes)
  3. O Worship the King (Robert Grant/Johann Haydn)
  4. Covered by the Blood (Nellie Edwards/Ran Story)
  5. Take Time to Be Holy (William Longstaff/George Stebbins)
  6. In the Garden (C. Austin Miles)
  7. Burdens Are Lifted at Calvary (John M. Moore)
  8. I Need Thee Every Hour (Annie Hawks/Robert Lowry)
  9. My Jesus, I Love Thee (William Featherston/Adoniram Gordon)
  10. When We All Get to Heaven (Eliza Hewitt/Emily Wilson)
  11. The Unclouded Day (J.K. Alwood)
  12. Come Thou Fount of Every Blessing (Robert Robertson/John Wyeth)
  13. And Can It Be That I Should Gain (Charles Wesley/Thomas Campbell)
  14. The Love of God (F.M. Lehman)
  15. Since Jesus Came Into My Heart (R.H. McDaniel/Charles Gabriel)
  16. My Wonderful Lord (Haldor Lillenas)
  17. The Lord’s Prayer (Albert Hay Malotte)
  18. At Calvary (William Newell/Daniel Towner)

Album Review: Jubilee Christmas A’Cappella

Jubilee Christmas A'CappellaThe day after Thanksgiving is a traditional day for many people to begin thinking about Christmas, decorating for Christmas, shopping for Christmas, and listening to Christmas music.  What better way for Southern Gospel Critique to kick off the Christmas season than with a little Christmas music review?

Undoubtedly one of the most successful collaborations of the last few years in gospel music has been the Jubilee series of concerts and recordings, including southern gospel stalwarts the Booth Brothers, Greater Vision, and Legacy Five.  That collaboration continues this Christmas with a tour, a DVD, and a studio recording.  The Jubilee Christmas A’Cappella recording is an EP consisting of six a cappella tracks arranged by Lari Goss, with an assist from associate producer Trey Ivey.  It is a mixture of sacred and secular songs; thankfully as far as I’m concerned, Santa, Rudolph and Frosty are absent. *wink*

As you would expect with Goss at the controls, the arrangements are intricate, with plenty of key changes and stylistic variation.  One great thing about having three groups involved is that obvious stacks are not needed to fill out these big arrangements.  The most fun track is “Jingle Bells,” which is given a festive, jazzy treatment.  On the other end of the spectrum is the most powerful number, the “Angel Medley” including the standard “Angels From the Realms of Glory” and “Angels We Have Heard on High,” and the less standard “Birthday of a King,” which takes the song home with gusto.  The closer, titled “The Benediction,” is a short but exquisite track using the last line of “White Christmas,” which serves as an effective closing blessing on the listener.

Since it is an EP of all a cappella tracks, Jubilee Christmas A’Cappella is very short, clocking in at a total of just over 11 minutes.  As such, the best use of funds is probably to get the current special, in which the CD comes free with the purchase of the Jubilee Christmas DVD.  I can’t think of a better way for a southern gospel fan to get into the Christmas 2013 spirit than with the Jubilee gang.

 

Album Rating: 4 stars

Song list:

  1. Carol of the Bells
  2. Angel Medley
  3. We Three Kings
  4. Jingle Bells
  5. We Wish You a Merry Christmas
  6. Benediction

Available: Any Jubilee concert, or websites of Booth Brothers, Greater Vision, Legacy Five

Album Review: Cathedrals Family Reunion

CFRThe legacy of the Cathedral Quartet in gospel music is quite immeasurable, and numerous musical tributes have been made to that legacy since they retired in 1999.  The Cathedrals Family Reunion event was the first time that all of the currently touring Cathedrals alumni have officially gotten together to celebrate the music of gospel’s finest quartet.  Credit IMC Concerts and the alumni involved for making it happen.  Out of the reunion event came a studio recording, featuring former Cathedrals Scott Fowler, Danny Funderburk, Ernie Haase, Mark Trammell, and Gerald Wolfe, with help from the active groups led by these men.  With this extraordinary musical talent and the guidance of producer Wayne Haun, Cathedrals Family Reunion is a worthy and enjoyable musical tribute.

One would assume based on the personnel involved that the recording would sound terrific, and it does.  So for a collection of older material like this, the main aspect to be discussed is the song selection, and how the songs are used.  It’s easy for bloggers like me to sit back and say things like “This song gets recorded all the time,” or “I wish they’d gone outside the box more.”  But the reality is that most of the people going to the product table to buy CDs are looking for the tried and true hits.  So it’s a no-brainer that most of the songs on Cathedrals Family Reunion are some of the first songs you think of when you think of the Cathedral Quartet, and especially the individual alumni on the recording.

Gerald Wolfe (“Champion of Love”), Ernie Haase (“Oh, What a Savior”), Danny Funderburk (“Somebody Touched Me”) and Scott Fowler (“He Made a Change”/”Champion of Love”) are all featured on their signature songs as Cathedrals members.   Mark Trammell doesn’t get a similar signature feature on this recording (“Master Builder” would be the expected choice), but he is featured in various spots throughout the album (like a verse on Kirk Talley’s “We Shall Be Caught Up”) and is the most consistent vocal foundation, participating on every song.

Most of the songs on Cathedrals Family Reunion are performed by a “scrap iron” quartet of three Cathedrals alumni and one of the bass singers from the active groups: Pat Barker, Paul Harkey, and Matt Fouch.  These are three great basses and all do a superb job.  Barker is the only one who gets a solo feature, on “Wedding Music,” which is a testament to his vocal similitude to George Younce.  Four songs are sung in a more ensemble form, including the other members of Mark Trammell Quartet, Signature Sound, Legacy Five, and Greater Vision.  The album’s most majestic performance, Younce’s composition “Yesterday,” is one of these, and is my favorite track.

Each of the three longest-tenured and Heaven-residing Cathedrals are honored and featured on the recording with the help of a little technology.  A recording of Roger Bennet singing the first verse kicks off “I’ve Read the Back of the Book,” and Younce and Glen Payne’s duet rendition of “Search Me, O God” from the Cathedrals’ Farewell Celebration concert is woven into that track.  Neither insertion seems forced or cheesy, and they are executed well.

I’ve covered what songs are sung, and who’s singing them, so I’ll wrap up with how they actually sound.  The tracks, at least to my knowledge and ear, are all new.  The arrangements, all by Haun with the exception of the Lari Goss-arranged “Champion of Love,” stay mostly true to the original.  One new wrinkle that is effective is in “Wedding Music,” where instead of going into a chorus after the first verse, the key is raised by a half step and Barker steps right on out for the second verse.  Throughout the recording, from a vocal standpoint you get the excellent sound you’d expect from a lineup of hall-of-famers and all-stars.

Just the significance of the collaboration of these great performers, singing such classic songs, is enough to make Cathedrals Family Reunion an essential part of any gospel music fan’s collection.  But it also stands on its own musically as one of the most well-executed releases of the year.  There are so many more Cathedrals songs that could be brought back by this group, and I sure hope we haven’t heard the last of the Cathedrals Family Reunion.

 

Album Rating: 4.5 stars

Song list:

  1. Bloodwashed Band (Savana Foust) – Ensemble
  2. We Shall Be Caught Up (Kirk Talley) – Ernie Haase, Scott Fowler, Mark Trammell, Paul Harkey
  3. Wedding Music (Talley/Phil Cross) – Haase, Fowler, Trammell, Pat Barker
  4. We’ll Work (Haase/Joel Lindsey/Wayne Haun) – Danny Funderburk, Haase, Trammell, Fowler, Gerald Wolfe, Harkey
  5. Oh, Come Along (Dianne Wilkinson) – Ensemble
  6. I’ve Read the Back of the Book (Roger Bennett) – Roger Bennett, Haase, Fowler, Trammell, Matt Fouch
  7. Yesterday (George Younce) – Ensemble (feat. Wolfe, Haase)
  8. Can He, Could He, Would He (Dwight Liles/John Chisum) – Funderburk, Fowler, Trammell, Barker
  9. Oh, What a Savior (Marvin P. Dalton) – Haase, Fowler, Trammell, Harkey
  10. He Made a Change (Haase/Lindsey) – Haase, Fowler, Trammell, Harkey
  11. Somebody Touched Me (Foust) – Funderburk, Fowler, Trammell, Barker
  12. Search Me, O God (J. Edwin Orr) – George Younce, Glen Payne, Ensemble
  13. Champion of Love (Phil & Carolyn Cross) – Funderburk, Haase, Fowler, Trammell, Wolfe, Fouch

Available: Any website or concert of Greater Vision, Legacy Five, Ernie Haase & Signature Sound, or Danny Funderburk

 

What the Bible Says About Southern Gospel Music

I know what you’re thinking…”Southern gospel in the Bible?  Southern gospel didn’t even exist until Vaughan and Stamps started selling their song books!”  You obviously would have a point in that this genre of music is not specifically mentioned in Scripture.  However, the Bible has plenty to say about music, and it has some specific teachings that I believe need to be applied to gospel music.

Twice in his epistles, Paul writes about the importance of “psalms and hymns and spiritual songs”.  I can never read those verses without thinking about what Dianne Wilkinson said in a blog comment a few years ago. (Here’s a lesson: take care with what you post on the internet, because it just might make a difference in someone, for good or for bad!)  The basic gist of her comment is that our music, gospel music, can fit squarely into that “spiritual songs” category.  I just happen to believe that God loves gospel music, and I believe, though it didn’t exist in its present form in the first century, He had it in mind when he inspired Paul to write these verses.  I’m just going to use quick bullet points on the verses to try to show what God has to say about gospel music.

First, in Ephesians 5:18-20: “And be not drunk with wine, wherein is excess; but be filled with the Spirit; Speaking to yourselves in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord; Giving thanks always for all things unto God and the Father in the name of our Lord Jesus Christ.”

  • “be filled with the Spirit” – the most important thing about our music is that its participants have the indwelling Spirit, and the only way to have that is to be born again!  Yes, I know there are lost people who listen to gospel music, and even (gasp) who sing gospel music, but to fully reap the spiritual benefits of it, you need to be saved and living a Spirit-filled life.
  • “Speaking to yourselves” – I don’t think I’ve ever met a Christian who said they didn’t like music, and there’s a reason for that.  The first thing Paul mentions as evidence of being filled with the Spirit is music.  I believe this “speaking to yourselves” applies to any Christian, not just those with special musical talent.  This is listening to a gospel song in the car, humming during your chores, and even singing in the shower.  Don’t be ashamed…God tells us to do it!
  • “in your heart” – It makes all the difference in the world when what you are singing and hearing comes from the heart, and is not just a physical or mental exercise
  • “to the Lord” – Music is one of the key avenues of worship, and remember that the object of worship should always be the Lord.
  • “Giving thanks always” – There is no shortage, and nor should there be, of songs of thanksgiving to God.  He is worthy of that, and more.

There is even more truth on this subject in Colossians 3:16-17: “Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord. And whatsoever ye do in word or deed, do all in the name of the Lord Jesus, giving thanks to God and the Father by him.”

  • “Let the word of Christ dwell in you” – This time, the music is presented as evidence that the Word is firmly planted in your soul.  Our music MUST be grounded in Biblical truth!  If it’s not, then it’s not true gospel music, and is of no spiritual benefit.
  • “teaching” – Have you ever thought about this?  The Bible specifically states that our music should be used to teach one other!  Sure, there is a place for songs with lighter subjects and maybe even humor, but there is also an important place for songs that present Bible doctrine.  Don’t be afraid of songs with lyrical depth, because those songs can be used to teach us something from God’s Word.
  • “admonishing” – Uh-oh…shouldn’t all of our songs be happy and positive?  To admonish is to warn, or even reprimand.  While our music should “accentuate the positives,” there are times when it must also warn of the negatives.  Are we afraid to sing songs about Hell, or about judgment, or about God’s wrath, for fear of offending someone?  Don’t be…the Bible tells us to admonish with our music.
  • “with grace in your hearts” – Now that we’ve talked about dealing with negative subjects in music, it’s a good time for this lesson.  No matter the message, it must be delivered with grace.  Singers, don’t get up and sing a song, then treat people afterward like they were lucky to get to hear you sing.  God help our music and our lives to be an exhibition of His grace.
  • “do all in the name of the Lord Jesus” – The music is not about us hitting the high notes or showing off our piano licks.  In the end, all that matters is that it is being used to point people to Jesus.

 

Music fans, does the music you listen to honor the Lord and edify the believer?  Songwriters, do the songs you write teach and admonish?  Are they grounded in Scripture?  Singers, are the songs you’re singing serving these purposes?  Are you singing them with grace and love for those listening?

“Psalms and hymns and spiritual songs”…let’s use them the way God wants them to be used.